Plot Tropes
Plot: A fictional(ized) series of events that have some connection.
The quality of a plot is often judged by how convincing that connection is established along the criteria of:
- cause and effect (physics),
- emotional motivation (psychology) and
- reason (logic and ethics).
Failure to meet those criteria results in a Plot Hole. If the first criterion is repeatedly violated, we have a Random Events Plot, the second criterion is not met if someone acts Out of Character, and a consistent failure to meet the third is called an Idiot Plot. Deus ex Machina is a desperate plot-advancing technique that does not quite link events in a story in a convincing manner but at least keeps it going.
Plots are usually driven by Conflict, which has a strong tendency to make stuff happen. According to Aristotle, Plot, together with Character and Spectacle, is one of the six items present in any story.
A Plot Point is an important event or state of affairs that the viewer or reader is required to be aware of in order to follow the plot. An object or character whose only purpose is to drive the plot (i. e. provide the connecting element between events) is called a Plot Device. Similarly, a Plot Coupon is an object that acts as a key to advance or resolve a plot. In contrast to the Plot Device, it is actively and purposefully used (and often also sought out in the first place) by the characters to reach a goal, while a Plot Device doesn't necessarily require a character's volition to advance the plot. See also MacGuffin and Magnetic Plot Device.
- Television Tropes and Idioms
All Up To You
The lead has been captured by the bad guys and imprisoned, drugged or otherwise immobilized. The Sidekick and/or Plucky Comic Relief are forced to step up, apply what they learned from their hero, and pull his hiney out of the fire. - All Up To You
- Hercules is busy being crushed by Ares, so it's up to Jason and Iolaus to return Zeus's Chalice to Hera's Cave to put Zeus's Protection Order on Herc back into effect. - (1.03 - What a Crockery)
And Now You Must Marry Me
The villain's Evil Plan isn't just to take over the world, or to kill the hero. His goal is far more personal and sinister – he's going to force the heroine to marry him. - And Now You Must Marry Me
- In order to spare the lives of Hercules, Iolaus, and Orpheus, Eurydice agrees to marry Bacchus - (1.21 - Lyre, Liar)
Animorphism
A character is transformed into an animal, either completely or partially (like a Biological Mash Up). The defining quality for this trope is whether their transformation was voluntary or not: There are many characters unwillingly transformed into animals, usually as a punishment (ironic or otherwise) or curse, more often than not by the dark magic of the Big Bad. In any case, regardless of species, the target is none too happy about being an animal. (Indeed, for some reason, characters are often just as upset over being turned into swans as they would be if they were turned into worms. There is an intriguing amount of Cursed with Awesome associated with this trope.) The target may lose the ability to speak, and must work hard to get the message to their friends about what happened. This is sometimes combined with a Freaky Friday Flip, leaving the animal's mind trapped in the human character's body (where Hilarity Ensues). This is frequently accompanied with some sort of time limit, after which it will be difficult or impossible to reverse the process. - Animorphism
- As a punishment for hunting the [[Golden Hind] while in Artemis's Sacred Grove, Artemis swaps Iolaus's conciousness with a deer's. Iolaus must then run for his life as Hercules, Jason, and Uncle F hunt the "deer". - (1.40 - Iolaus Goes Stag)
April Fools' Plot
Some works will have plots based on April Fool's Day, much like the Christmas Episode. Plots will revolve around character pranking each other. It might be just a bunch of harmless fun. However, often as not, what was intended as a harmless prank might spiral out of control and create real problems. If the show as a resident Jerkass or Bully, that character might use this celebration to be a douchebag to everyone around them and simply yell "April Fools!" to be immediately immune from any form of criticism. They use the freedom of the day to be abusive towards others by pulling pranks and get away with it scot free! If that is the case, the episode will probably end with the jerk getting his comeuppance ending with "April Fools!" being uttered by the former victim as he or she pulls a prank on the prankster. - April Fools' Plot
- During Prank Days, Hercules, Iolaus, and Lilith plan to prank Jason, since it's his last year. However they soon discover that there's an assassin using Prank Days as a cover to kill Jason. The cadets band together to use pranks to reveal the assassin and incapacitate him. - (1.34 - Get Jason)
Attack of the Town Festival
A common plot in Attack of the Killer Whatever movies. The town that is under attack happens to be holding a festival. Generally this is accompanied by an official that refuses to cancel the town festival for economic reasons. This in turn puts the public at risk and the hero of the story now has a whole town to protect from the fearsome people-eating whatever. Bonus points if the festival in question features some theme, object or commodity (besides potential victims) which would naturally attract the Killer Whatever. - Attack of the Town Festival
- Pelia's village is under attack by Daptes's gang during their Harvest Festival. Somewhat fits this trope because the harvest is what Daptes wants. - (1.26 - Cold Feet)
A Death in the Limelight
Briefly, an episode or issue that suddenly focuses on a character specifically because they're going to die at the end (or fairly close to the end). Usually this is a relatively minor recurring character, or someone who technically is in the main cast but never had a Backstory or much in the way of characterization. - A Death in the Limelight
- Marco, who was never seen before this episode, is suddenly given a rich and emotional backstory just in time for his death to be meaniful to the audience. - (1.43 - The Beasts Beneath)
Beach Episode
Simply put, an episode where the cast decided to take a break and go to the beach or a swimming pool for some wet and splashy fun. Often combined with or immediately following a Recap Episode, the Beach Episode exists solely for the purpose of getting the female (and sometimes male) cast into bathing suits. Sadly for the fanboys, beach episodes are usually considered extreme examples of filler and treated accordingly. Note: It sometimes occurs that the Beach Episode is interrupted by the actual plot of the story. For example, the heroes are taking their well deserved beach trip when the villains decide to show up and cause trouble. Sometimes you'll meet the Surfer Dude here. Smashing Watermelons is a popular party game, as is volleyball. - Beach Episode
- On their way back to the Academy, Hercules, Iolaus, and Theseus stumble over a beach filled with frolicking men and women playing volleyball and enjoying the sun. They join in the fun, until Apollo arrives and starts causing trouble. This episode falls immediately before a recap episode. - (1.48 - Apollo)
Cock Fight
- [ Cock Fight]
- When Iolaus and Jason first catch sight of Lilith, they immediatly fight over her. It doesn't matter that neither of them have even met her yet, nor do they know whether she'd have feelings for either of them. The only thing that matters is proving which one is superior in a test of skills. - (1.05 - Girl Trouble)
Crossing the Desert
On his neverending quest to find the MacGuffin, Hero Bob must cross a desert wasteland. Expect there to be scorpions, cacti, a few Ribcage Ridges, and maybe even a Sand Worm or two. For whatever reason, rather than travel during the night, Bob will nearly always travel starting at high noon, though this can be justified by the planet having multiple suns, or the desert having some kind of curse, what have you. - Crossing the Desert
- Iolaus, Lilith, and Marco cross a desert during the middle of the day on their way back to the Academy, since they are running late and Iolaus claims that it's a shortcut. When they don't make it back, Hercules and Theseus go after them, also crossing the desert in mid-day. Sand worms and sun-bleached bones abound in the desert. - (1.43 - The Beasts Beneath)
Fundraiser Carnival
When a school has a fundraiser, they need ideas how to carry it out and bring in big money for the cause. One of those ideas, in Real Life as well as on television, will include a carnival, and this is the option that wins out overall. There are other situations in which this can apply, for example: A birthday party, a senior send-off, a major holiday, a prom, or just for the hell of it (Carnivals are awesome!). With any situation, the carnival is always chosen as a proper venue. And, in all situations, the school will always have enough money to pull it off, even "poor" schools. Important features of the carnival usually are: A dunk tank, a ferris wheel, a ring toss, cheap, unsafe rides, a kissing booth, and that game where you have to throw a baseball at some bowling pins to win a comically large stuffed animal for your date to impress her. - Fundraiser Carnival
- Although it wasn't for a fundraiser, the Academy hosted a festival with a dunk booth starring Iolaus. - (1.22 - A Lady in Hades)
Hercules: "Yeah, uh, listen, I'm kinda busy right now, okay?"
Ghost Story
Ah, the classic - everyone gathered around a campfire telling stories just in order to see who can freak everyone out the most. Usually, in fiction, the stories will be made up on the spot and even have to do with the location the campers are staying in. Whenever this happens, it often turns into a ghost hunt when someone's fevered imagination takes the story a little too seriously. Whether or not the location actually is haunted varies, but even in cases where there's a rational explanation for the strange occurrences the campers experience, it's common to leave the story with a somewhat jokey Maybe Magic, Maybe Mundane ending. - Ghost Story
- While Hercules, Iolaus, and Theseus are camping, they exchange scary stories. - (1.50 - Valley of the Shadow)
Heroes Gone Fishing
Sometimes when the bad guys aren't feeling all that bad, when they don't feel like terrorizing the locals, they go shopping. But what do good guys do when they don't feel like fighting evil at the moment? When they just want to get away from it all? Everybody deserves some free time after all! Even superheroes deserve a holiday! They go fishing, of course. "Fishing" being a general euphemism for things like chilling out, maxing, relaxing all cool, shooting some b-ball outside of the school. Obviously, the story probably won't just be about them enjoying some downtime - there's no drama in that, so trouble is likely to follow them, although they might get a Beach Episode or a Breather Episode. - Heroes Gone Fishing
- Hercules, Iolaus, and Jason go fishing in 1.15 - Ares on Trial, only to be interupted by what seems to be Ares intent on killing Hercules. Hercules, Iolaus, and Jason go fishing again in 1.16 - Down and Out in Academy Hills, only to be interupted by a man with amnesia falling out of the sky into the middle of the pond. Hercules, Iolaus, and Theseus go fishing in 1.50 - Valley of the Shadow, only to be interupted by a monster moving through the forest.
Horrible Camping Trip
Simply put, several members of the cast go on a camping trip, and disaster ensues. This plot is sometimes used even in situations where the characters do not live anywhere near the wilderness, nor seem the type who would even go on camping trips or have any experience doing so. Typical disasters include being snowed in, freezing in a cabin, never-ending rain, running out of food, or getting attacked by incredibly fake-looking bears (or Bigfoot. Or every animal). - Horrible Camping Trip
- Hercules, Iolaus, and Theseus go on a camping trip in Hera's Valley, only to find themselves on the run for their lives as they are chased by The Enforcer. - (1.50 - Valley of the Shadow)
Love Triangle
A is in love with B, but B is in love with C, resulting in wacky hijinks. Alternatively, A and B are both in love with C, who is torn between the two and must make a choice. In the latter case, A and B tend to be Betty and Veronica; in the former, A will usually be a Romantic False Lead or Hopeless Suitor. Can sometimes lead to A stepping back because They Just Want Their Beloved To Be Happy. Alternately, A is a total jerk or Clingy Jealous Girl, making it completely okay for B to get C. See also Two Guys and a Girl. - [1]
- Hercules, Iolaus, Jason, and Theseus have all flirted with Kora at one time or another. - (1.01 - Treasure of Zeus, 1.02 - Between Friends, 1.06 - Teacher's Pests, 1.13 - Forgery, 1.29 - Sisters, 1.30 - The Golden Bow, and 1.41 - Adventures in the Forbidden Zone).
* Iolaus and Jason fight over Lilith the first time they see her. - (1.05 - Girl Trouble)
- Hephaestus loves Galatea, but Galatea has fallen in love with Hercules. - (1.10 - Cyrano de Hercules)
- Hercules is in love with Eurydice, but Eurydice is in love with Orpheus. - (1.19 - Lure of the Lyre, 1.20 - Fame, 1.21 - Lyre, Liar)
- Kora tries to flirt with Hercules and Jason, but they boys only have eyes for her sister, Cleo. - (1.29 - Sisters)
- Hephaestus and Hercules both have feelings for Cyane, who Ares has enspelled to cause trouble between the two men. - (1.46 - Under Siege)
- Hercules and Jason both have feelings for Medea, who Hera has enslaved to cause trouble between the two men. - (HtLJ - 4.11 - Medea Culpa)
Makeover Montage
A girl with frizzy hair, pimples, braces and Nerd Glasses is plunked into a chair (maybe even tied down for good measure) in front of a mirror by well-meaning friends and attacked with a flurry of curling irons, combs, hair gel, blush, eyeshadow, eyeliner, lipstick, nail polish, and all manner of powders and waxes. Put her under a bright spotlight, like at a Jack Bauer Interrogation, for good measure. Just remember, before you're done, The Glasses Gotta Go. She never exhibits any allergic reactions from the multitude of substances that are put on her, and never stands up for herself, if she doesn't want to have a make over in the first place. Voila, She Is All Grown Up! - Makeover Montage
- In preperation for pretending to be a princess, Lilith is taught posture, table manners, ettiquite, and fan-waving. At first it doesn't seem like the lessons take, but then she gets a few tips from Princess Dido, and when the time comes Princess Lilith appears as regal as any high-born daughter. - (1.35 - My Fair Lilith)
Older Hero Vs Younger Villain
In this plot, a principal character who is supposed to be significantly older than most is opposed by a villain who is relatively young and apparently in his physical prime. The plot ends with a big fight that has the young villain sneering that his victory is inevitable because he's younger than the older hero. However, either through his superior combat experience, being less reckless or just plain toughness, the older hero soundly defeats the young villain. At or near the end, the old hero proclaims something like "I may be older, but I'm better!" Furthermore, the other principal characters quickly agree that the older hero is still a valuable member of the team. - Older Hero Vs Younger Villain
- The older Hercules has to face off against a much younger Zylus. While they fight, they trade several age-related barbs. - (HtLJ - 5.17 - The Academy)
Hercules: "That's you and me. You should have stayed in school."
Zylus: "You are well past your prime, old timer."
Hercules: "Old timer?"
Zylus: "Why? You tired?"
Parent With New Paramour
A fairly common plot in modern shows and sitcoms that due to divorce, widowhood, or some other situation that results in a single parent dating again and the child trying to accept a parent's new love interest. Generally, this goes one of three ways: (1.) The kid and the new person get along quite well from the start. If Status Quo Is God this person may not stick around for longer than the episode, usually due to a breakup. In this case the kid may be quite upset to see this happen. (2.)The kid is nervous about the person at first (sometimes due to already knowing them or still being sore about their missing parent), but gradually warms up to them. This may go either way in terms of the people staying together. In this situation the kid is generally shown as being irrational and in the way of their parent's happiness. (3.)The kid doesn't like the person at all and never gets used to them. This can become a recurring plot element, and likely to have the line "You're Not My Father!" (or Mother) spoken at least once. If the person is obviously a villain, this can become Guess Who I'm Marrying, with the kid often being the Only Sane Man who can see the evilness of the new paramour. But even then, sometimes the kid puts this aside to let their parent be happy. - Parent With New Paramour
- Hercules comes home to find out that Alcmene has met someone new, a man named Capaneus. At first Hercules is extremely hostile towards Capaneus to the point where they end up aiming spears at each other's throats. Iolaus talks to Hercules, making him understand just how irrational he's been, and Hercules apologises to Alcmene, saying that he just wants her to be happy. - (1.31 - Home for the Holidays)
Alcmene: "I thought you would."
Hercules: "Who is he?"
Alcmene: "I met Capaneus in the marketplace."
Hercules: "At the marketplace?"
Alcmene: "I needed help with the planting, he needed work, so..."
Hercules: "He's a hired hand."
Alcmene: "No. He's a friend."
Hercules: "Now you're buying your friends at the marketplace?"
Alcmene: "Don't forget who you're talking to, young man."
Hercules: "I know you're my mom, but I think I deserve to know what's going on around here. It's just that... you're alone out here... and there are men who would take advantage of that. What do you know about this guy anyways?"
Alcmene: "I know he's good and kind. He makes me laugh."
Hercules: "I don't trust him."
Alcmene: "I expect you to be nice to him."
Hercules: "Why? Planting season's done, right? He'll move on and I'll never have to see him again."
Alcmene: "You may see him more often than you think."
Hercules: "I want him out of here."
Alcmene: "I'm sorry, Hercules, but this is my house. I decide who stays or who goes."
Hercules: "I want him out of here!"
Iolaus: "Hey."
Hercules: "Wha?"
Iolaus: "What's your problem?"
Hercules: "You just don't get it, do you? That's my mom in there, all right? My mom."
Iolaus: "Yeah, I get it. In that nice house, cooking you a hot meal, waiting for you to wise up and get back in there."
Hercules: "Whatever."
Pet Baby Wild Animal
A young character adopts an abandoned or orphaned baby wild animal and cares for it as a beloved pet. However, when the animal reaches maturity, the character is advised and/or pressured by the adult characters to drive it away so it can live in the wild on its own. With heartbroken reluctance, the young one complies and is profoundly upset as the animal leaves. If it happens early enough in an episode or arc, this may later result in an Androcles' Lion. The fact that a creature raised in captivity will lack the necessary skills to survive in the wild will very rarely be addressed. Nature is loving and nourishing, right? - Pet Baby Wild Animal
- When a baby basilisk is hatched in the middle of Corinth's throne room, Iolaus quickly ends up being the surrigate parent figure for the baby creature who he names Ruff. But basilisks can spit goo that makes things catch on fire, and Hercules and Jason eventually convince Iolaus to let Ruff go live in the wild. Iolaus does briefly raise the issue that Ruff may not be able to survive on his own, but becomes more comfortable when he hears the roar of other basilisks, indicating that Ruff will not be alone. - (1.18 - A Serpent's Tooth)
Split Personality Makeover
When dealing with a character that has a Split Personality, there will frequently be a striking visual difference depending on who is "in control." It's not a literal transformation, like the original Jekyll and Hyde; it's still recognizably the same person, but the differences will be visible. This may include anything from subtle stylistic changes (the character's design becomes more hard and angular when an evil or aggressive personality is in control, but softer and more rounded when a kind and good personality is in control) to more physical things like changes in hairstyle and black bags under the eyes. A significant vocal shift is common as well. Some of these changes are perfectly possible to do without physically altering the person's body, like the personalities having hair that's styled differently (or one of them not styling it at all and another styling it neatly) but the same length, or changes in body language and posture, or talking differently without completely changing voice actors, but others are firmly in the realm of Artistic License. These changes may or may not be noticed in-universe; if they are, expect them to treat the change as something intangible. They'll comment "he's like someone completely different now!" or "that's not the person I know!" rather than "hey, when did you get your hair cut?" or "did your voice just drop two octaves?" - Split Personality Makeover
- Hercules asks the Fire From The Heart Of The Earth to change his heart so that he devours life, like Zeus. While under the influence of the fire, Hercules is drastically changed: his body language is smoother, he flirts with every female in sight, the way he speaks has a bit of a slur/twang to it, and he loses his sense of responsibility. It is only when Iolaus's life is in danger that his love for his friends is strong enough to break the hold that the fire has on him. - (1.13 - Forgery)
Hercules: "Maybe I just decided to be someone else."
Temporary Blindness
The hero(ine) of an action/adventure series is blinded at the beginning of the episode. The character is told that the damage will heal, provided he does not do any action/adventure heroic things for the next hour. Since the viewer did not tune in to watch the hero convalesce, the plot goes on. A supporting character helps the hero get used to his condition. Often, the blinded character's other senses will become much more acute. Unfortunately, the villain of the story sometimes discovers the hero's condition and instantly realizes he now has an overwhelming advantage. However, the hero still wins because the villain usually underestimates how well he has adjusted to his situation — in some cases, the temporary disability may actually give the hero a useful advantage. - Temporary Blindness
- Lilith is injured and loses her sense of sight just long enough for her to learn an important lesson about fighting with her other senses. The villains realize that she's blind and several attack her at once, but she is able to hold her own in a fight by listening to the noises they make while circling her so that she knows when to attack. By the end of the episode she miraculously regains her sight. - (1.08 - Keeping Up With the Jasons}
Lilith: "I did? Well, how?"
The Other Darrin
A new actor is brought on to play the same character as an actor who left, with no explanation for the switch being given to the audience. - The Other Darrin
- Young Hercules was played by Ian Boen in the HtLJ Flashback Episodes and the Young Hercules (Movie Pilot), and Ryan Gosling in the Young Hercules series.
- Young Alcmene was played by Kim Michalis in the HtLJ Flashback Episodes, Rachel Blakely in the Young Hercules (Movie Pilot), and Sharon Tyrell in the Young Hercules series.
- King Aeson was played by Mike McGee in the Young Hercules (Movie Pilot) and Noel Trevarthen in the Young Hercules series.
The Power of Friendship
The villain or Ineffectual Loner mocks the idea of relying on others, insisting that friends make you weak and only fear brings servitude. Then he discovers to his extreme shock and dismay that the hero's friends really do stand up for him, and this really does enable the hero to kick the crap out of the bad guy. The Aesop: Having friends makes you strong, being alone makes you weak. - The Power of Friendship
- Ares decides that Hercules's weakest point is his "pathetic mortal feelings", and sends Strife to attack Hercules through his best friend, Iolaus. In the end, it is Iolaus shouting Herc's name during Hercules and Strife's final showdown that distracts Strife long enough for Hercules to win the fight. - (1.02 - Between Friends)
- This trope also somewhat applies when Apollo, jealous of Hercules's friends, sets fire to the Academy to prove that his friends will turn on him at the slightest inconvenience. In the end, Iolaus, Theseus, and the cadets stand up for Hercules, even when moments earlier some of them were blaming Hercules for bringing the god's wrath down on them. - (1.48 - Apollo)
Apollo: "Hey, bro! Aw, where's your sunny disposition?"
Hercules: "Leave my friends alone!"
Apollo: "Friends? Who are you kidding? You think I can't hear? Well, they wish they'd never met you."
Hercules: "That's because of you, all right?"
Training Montage
A variant of the Hard Work Montage in which a character builds themselves up over time in preparation for a battle. Usually accompanied by uplifting music. - Training Montage
- Upon Hercules's arrival at Cheiron's Academy, there is a montage of his training as he fights with Iolaus: running, climbing a wall, sparring on vertical poles. - (Young Hercules (Movie Pilot))
- Hercules, Iolaus, and Jason work on training Timor to become Ares: Timor sparring with Hercules, learning balance, attitude lessons with Iolaus, and a makeover with Jason. - (1.33 - Con Ares)
Urban Legends
An Urban Legend is a story told by a person as a true event. It is told as having happened locally, to a "friend of a friend", and is usually altered in the telling. - Urban Legends
- As Hercules, Iolaus, and Jason walk through the forest on their way back to the Academy, they exchange urban legends. - (1.09 - Amazon Grace)
Hercules: "Last time I heard that, it was a farm boy and a peasant girl in an oxcart."
~*~
New Super Power
A standard episode concept. Our main character who has new super powers has to cope with his newfound ability, learn to control it, and come to terms with it. Ultimately it will solve his problem that week. Half the time it's never important again, but the other half of the time it becomes a major step forward for the character. - New Super Power
- - (1.42 - The Prize)
Pygmalion Plot
A character has made someone — literally, such as by sculpting a statue, or figuratively, through giving lessons in speech, behavior, or etiquette — and has fallen in love with the creation. Originally the Greek myth of the sculptor Pygmalion, and his statue brought to life by the gods. Ovid never gave the statue-girl a name, but the name Galatea was given in Apollodorus's Bibliotheca, which predates Ovid. - [ http://tvtropes.org/pmwiki/pmwiki.php/Main/PygmalionPlot Pygmalion Plot]
- galatea
Jaw Drop
Most frequently observed in Western Animation, though it also occurs in anime, manga, and webcomics. A character becomes surprised or shocked, and their jaw drops comically. This is done to ridiculous extents in some cases (where the jaw drops to the floor and sometimes even tongue rolling out), but also sometimes within a reasonable human limit. On occasion, another character will reach over and close the dropping character's jaw. - Jaw Drop
She Cleans Up Nicely
The USTful, Will They or Won't They?, Slap-Slap-Kiss couple is at a formal event — either as reluctant dates or as part of a group. Usually in some sort of ballroom or fancy dress setting. The girl (it's always the girl — almost) appears a little late, standing at the top of the stairs in an outfit which is probably an order of magnitude more attractive and stylish than her usual wear. The light catches her just right so she sparkles. And, of course, suddenly she's got boobs. The guy, at the foot of the stairs, glances up and sees her and his jaw drops, eyes widen. The music rises. His heart flutters. He may gulp loudly. Can't make a coherent sentence for a minute or two. Sometimes the girl is self-conscious and shy of her new appearance, and sometimes she looks at the guy and goes "What? What are you looking at me for?" Occasionally she smirks instead, enjoying the effect she's having on the guy. Wrench Wenches are likely to have at least one scene like this. Tomboys and The Lad-ette also often have a moment like this — often tagged with a "Hey, I guess you really are a girl." This happens to the Undercover Model for work-related reasons. While the ballroom and the staircase are not strictly necessary for this trope to function, they are the most common elements in which to place the events unfolding. Sister Trope to Princess for a Day. Be aware of the Unnecessary Makeover where this trope doesn't work for the audience. - She Cleans Up Nicely
Unnecessary Makeover
The Subjective Tropes variation of Beautiful All Along. You take your standard Hollywood Homely ugly-duckling, have her lose her glasses, take her hair out of that bun, and throw her in some fashionable clothes. Immediately the love interest begins goggling at the new-found beauty. But... the audience just doesn't buy it. Maybe it's because the audience thinks Nerds Are Sexy, or that they identify as a fellow nerd with said character. Maybe it's because the character has unintentionally traded in her Hot Librarian and Meganekko cred for a blander type of attractiveness. Maybe the girl was a happy quirky non-conformist who, by selling out to society's vision of beauty, proves herself to be a less-interesting Rule-Abiding Rebel. Simply put, she was never all that ugly to begin with. In any case, the reaction is the same: Why did they change her? I LIKED HER BETTER BEFORE! - Unnecessary Makeover
The Smurfette Principle
For any series not aimed solely at females, odds are high that only one female will be in the regular cast. The Smurfette Principle is the tendency for works of fiction to have exactly one female amongst an ensemble of male characters, in spite of the fact that roughly half of the human race is female. Unless a show is purposefully aimed at a female viewing audience, the main characters will tend to be disproportionately male. In many series, men will have various different personalities, but women will always be The Chick. Thus, by the Law of Conservation of Detail , you only need one. In other cases, the women are feminized versions of existing male characters. - The Smurfette Principle
- - ([[]])
In the pilot movie, Yvenna. In the series proper, Lilth and Kora
Princess for a Day
This is whenever a low- to middle-class girl gets to put on some fancy clothes and pretends to be a member of the upper class for a short time— maybe even a princess. Often it's to go to a royal ball, but it could be for different reasons. It could be part of a Massive Multiplayer Scam, or because she's been telling a loved one or rival living somewhere else that she is part of the upper class. If it's the latter, expect the deception to be exposed, and An Aesop about honesty and being yourself. Other times, it's just that girl showing up and having a good time. Often involves She Cleans Up Nicely. - Princess for a Day
Limited Wardrobe
The character always wears the same outfit, regardless of the setting or season. Winter (or at least a Christmas Episode) may sometimes see the addition of a heavy coat, but circumstances will conspire to put the character in a situation where they must shed the coat, at which point it is never seen again. (A more likely choice is a hat, scarf, and perhaps mittens, which imply colder weather without obscuring the character's trademark wardrobe). Even characters whose very nature should prevent them from having such a Limited Wardrobe (read: fashion nuts) may still have one. A common Lampshade Hanging is revealing the character's wardrobe to consist entirely of multiple copies of the same outfit (see page image), doubly so if another character points to an arbitrary item and explains, "That's their favorite". One benefit to this trope is that characters are recognized by their clothing. Their clothing becomes just as much identified with them as their hairstyle and personality. Always wearing a plain T-shirt, shorts and sneakers can indicate a relaxed personality; an expensive business suit is the hallmark of any Corrupt Corporate Executive. A more logistical reason is that whether something is filmed or animated it is rarely done in a sequential order. Even though character models are rather simple to produce and alter and in live action rather easy to change clothing, making such changes on a regular basis requires a great deal more effort to maintain continuity from scene to scene. This is kind of the same reason main characters have a Dirt Forcefield and have little Clothing Damage unless dramatically necessary. - Limited Wardrobe
- - ([[]])
- every character
Moment Killer
- - ([[]])
- Iolaus, every time herc/Cyane kiss - Lilith&Herc, for Jason/Pelia
Shorttank
- - ([[]])
- Lilith
Ridiculously Cute Critter
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Pet Monstrosity
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- adult Ruff
I Didn't Tell You Because You'd Be Unhappy
- I Didn't Tell You Because You'd Be Unhappy
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Herc/Cyane - Zeus
Clear Their Name
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Iolaus - between friends
Clip Show
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Duels Decide Everything
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- nothing but net - Jason-Pollux
Emergency Impersonation
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Teacher's Pests
http://tvtropes.org/pmwiki/pmwiki.php/Main/Plots
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